London, St. John's Smith Square: Britten and David Matthews premières
Identifieur interne : 000311 ( Main/Exploration ); précédent : 000310; suivant : 000312London, St. John's Smith Square: Britten and David Matthews premières
Auteurs : Martin AndersonSource :
- Tempo [ 0040-2982 ] ; 2003-10.
Abstract
The world première of Benjamin Britten's Two Pieces (his title) for violin, viola and piano on 9 July provided further proof of his precocious genius, and also hinted intriguingly at the turning his compositional career never took. The concert that presented the Britten trio and another première, David Matthews's Duet Variations for violin and piano, was organized by Haus Publishing to launch Matthews's new biography of Britten, and it was while researching the book that Matthews came across the score of the Two Pieces, written in late 1929 for a chamber group in which he played the viola. Like the Quartettino, which it immediately predates, the Two Pieces shows Britten trying his hand at a Bergian expressionism. A note in his diary at the time (November 1929), quoted in the programme for the concert, reveals the direction his mind was taking: ‘I am thinking much about modernism in art, debating whether Impressionism, Expressionism, Classicism etc are right. I have half decided on Schoenberg’. His music confirms his words.
Url:
DOI: 10.1017/S0040298203240365
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: 000169
- to stream Istex, to step Curation: 000169
- to stream Istex, to step Checkpoint: 000225
- to stream Main, to step Merge: 000313
- to stream Main, to step Curation: 000311
Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title>London, St. John's Smith Square: Britten and David Matthews premières</title>
<author><name sortKey="Anderson, Martin" sort="Anderson, Martin" uniqKey="Anderson M" first="Martin" last="Anderson">Martin Anderson</name>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:1F8B8F6F8714E038346B91B03A125A1E5AD79582</idno>
<date when="2004" year="2004">2004</date>
<idno type="doi">10.1017/S0040298203240365</idno>
<idno type="url">https://api.istex.fr/document/1F8B8F6F8714E038346B91B03A125A1E5AD79582/fulltext/pdf</idno>
<idno type="wicri:Area/Istex/Corpus">000169</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">000169</idno>
<idno type="wicri:Area/Istex/Curation">000169</idno>
<idno type="wicri:Area/Istex/Checkpoint">000225</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Checkpoint">000225</idno>
<idno type="wicri:doubleKey">0040-2982:2004:Anderson M:london:st:john</idno>
<idno type="wicri:Area/Main/Merge">000313</idno>
<idno type="wicri:Area/Main/Curation">000311</idno>
<idno type="wicri:Area/Main/Exploration">000311</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title level="a">London, St. John's Smith Square: Britten and David Matthews premières</title>
<author><name sortKey="Anderson, Martin" sort="Anderson, Martin" uniqKey="Anderson M" first="Martin" last="Anderson">Martin Anderson</name>
</author>
</analytic>
<monogr></monogr>
<series><title level="j">Tempo</title>
<idno type="ISSN">0040-2982</idno>
<idno type="eISSN">1478-2286</idno>
<imprint><publisher>Cambridge University Press</publisher>
<pubPlace>Cambridge, UK</pubPlace>
<date type="published" when="2003-10">2003-10</date>
<biblScope unit="volume">57</biblScope>
<biblScope unit="issue">226</biblScope>
<biblScope unit="page" from="69">69</biblScope>
<biblScope unit="page" to="69">69</biblScope>
</imprint>
<idno type="ISSN">0040-2982</idno>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><idno type="ISSN">0040-2982</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass></textClass>
<langUsage><language ident="en">en</language>
</langUsage>
</profileDesc>
</teiHeader>
<front><div type="abstract">The world première of Benjamin Britten's Two Pieces (his title) for violin, viola and piano on 9 July provided further proof of his precocious genius, and also hinted intriguingly at the turning his compositional career never took. The concert that presented the Britten trio and another première, David Matthews's Duet Variations for violin and piano, was organized by Haus Publishing to launch Matthews's new biography of Britten, and it was while researching the book that Matthews came across the score of the Two Pieces, written in late 1929 for a chamber group in which he played the viola. Like the Quartettino, which it immediately predates, the Two Pieces shows Britten trying his hand at a Bergian expressionism. A note in his diary at the time (November 1929), quoted in the programme for the concert, reveals the direction his mind was taking: ‘I am thinking much about modernism in art, debating whether Impressionism, Expressionism, Classicism etc are right. I have half decided on Schoenberg’. His music confirms his words.</div>
</front>
</TEI>
<affiliations><list></list>
<tree><noCountry><name sortKey="Anderson, Martin" sort="Anderson, Martin" uniqKey="Anderson M" first="Martin" last="Anderson">Martin Anderson</name>
</noCountry>
</tree>
</affiliations>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/XenakisV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000311 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000311 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Musique |area= XenakisV1 |flux= Main |étape= Exploration |type= RBID |clé= ISTEX:1F8B8F6F8714E038346B91B03A125A1E5AD79582 |texte= London, St. John's Smith Square: Britten and David Matthews premières }}
This area was generated with Dilib version V0.6.33. |